Flexing the Canon
flex music for chamber ensembles
Flexing the Canon is a performing and commissioning project started in 2023 by Natalie Groom. Originating with clarinet, horn, and bassoon trios, the goal is to create more “flexible” chamber music where each instrumental part can be substituted with another similar instrument (like clarinet/viola, horn/alto sax, bassoon/cello).
What is flex chamber music? Maybe you’ve heard of flex band pieces, where the parts are “flexible” enough to be played by many combinations of instruments. These are particularly helpful for incomplete or unbalanced instrumentations. This program includes commissions that were initiated to grow this body of repertoire and create unique performance opportunities for students and teachers through “flex” chamber music (flexing the canon). These flexible instrumentations support young programs and smaller schools without the full complement of instruments so that students have the opportunity to play quality chamber repertoire, not just arrangements.
The project has resulted in three commissions to date, and three more are underway for the 2024/2025 season. These flex trios have been shared at the University of Maryland Baltimore County, Towson University, University of Maryland College Park, and Maryland Music Educators Association Annual All State Conference.
Flexing the Canon Goals:
- Commission flexible works accessible to advanced high schoolers and undergraduate chamber students
- Grow the Solo and Ensemble eligible works category to include flex chamber music
- Create new music that is engaging, academic, and encourages arts citizenship through music with a message
- Share flex chamber resources with educators for study and competition
Repertoire
Harriett Bolz: Festive Fantasia
Megan DiGeorgio: There is no Away*
Natalie Groom: Meditation
Jane K: Tango, Encore!*
Jane K: No Pressure
Hiroaki Kataoka: A Beautiful Day
Hiroaki Kataoka: Makalish Sophia
Catherine Likhuta: Lesions
Beata Moon: Freedom Dreaming
Kimberly Osberg: Freaks of Nature*
Wilfred Roberts: Miniatures for Three Winds
Naoya Wada: The Moon Illuminates the Love Tenderly
*indicates a commissioned work
Three Reeds and a Horn
Explore a mix of classical, contemporary, jazz, and tango works of huge emotional breadth written for clarinet, horn, and bassoon trio. Three Reeds and a Horn Performers include Natalie Groom (clarinet), Kat Robinson (horn), and Qun Ren (bassoon). Hear original compositions by Natalie Groom as well as commissions written for this ensemble and designed as “flex” chamber music (chamber music that can be played by many combinations of instruments). The program is ~65 minutes without intermission, and it explores themes such as nature conservation, mindfulness, overcoming grief, and finding joy in small and silly things.
Kat Robinson is a freelance horn player and music educator residing in the DMV metro area. Originally from Los Angeles, she is currently pursuing her Doctor of Musical Arts in Horn Performance at the University of Maryland, College Park. Kat is a member of the US Army Reserves and serves as Principal Horn of the 300th Army Band where she performs in the Brass Quintet, Ceremonial Band, and Concert Band. She currently serves as Non-Commissioned Officer in charge of coordinating logistics for performances and missions for the 300th Army Band. Throughout her thirteen years of service, she has given over 250 performances in parades, military ceremonies, recitals, concerts, and community events across the U.S. Southwestern region.
Kat premiered Michael Poast’s Color Music Concerto for Horn and Orchestra, with TEMPO, UMD’s student-led new music ensemble. Kat also helped form Hornucopia, an all-female horn quartet composed of UMD graduate students. Hornucopia attended and performed at the 51st International Horn Symposium in Ghent, Belgium. As a freelance musician, she has performed with the Capital Wind Symphony, Santa Barbara Symphony, the Hollywood Chamber Orchestra, Corona Symphony, and Capital City Symphony, among others.
She earned her Master of Music degree from the University of Maryland, and her Bachelor of Music in Horn Performance and Instrumental Music Education degrees from California State University Long Beach, Bob Cole Conservatory. While in attendance, she was awarded a Bob Cole Tuition Scholarship and was invited into both Phi Kappa Phi and Pi Kappa Lambda honor societies. Her primary teachers include Gregory Miller, Phil Munds and Dylan Hart. She is currently married to her partner Natalie, who also serves as a trumpet player in the 300th Army Band, and they are pet parents of their dog, Kylo-Ren, and their cat, Rey.
Dr. Qun (Jimmy) Ren began to play bassoon at the age of nine. In 2007, he attended the music school attached to Central Conservatory of China. Jimmy finished high school in the U.S. and obtained his Bachelor of Music degree at the Oberlin Conservatory. As a soloist, Jimmy was the winner of the University of Maryland concerto competition and made his debut concerto performance with the orchestra in 2022. As a chamber musician, Jimmy was a member of University of Maryland Fellowship Woodwind Quintet from 2017-2019, where the group also collaborated and performed with the Berlin Philharmonic Wind Quintet.
Jimmy has made appearances with several professional orchestras, including Washington National Opera Orchestra, National Symphony Orchestra, Baltimore Symphony Orchestra, Harrisburg Symphony Orchestra, Alexandria Symphony Orchestra, and Washington Chamber Orchestra. Jimmy has attended many festivals including National Orchestral Institute, National Repertory Orchestra, Eastern Music Festival. He earned his Doctor of Musical Arts degree at the University of Maryland in College Park, where he also earned a Master of Music degree in 2019. His primary teachers include George Sakakeeny and Joseph Grimmer.